Liz Richter - Creative Space

Liz Richter along with her best friend Bri Bowers, and local artists Michelle Montgomery, and Zara Goldbrg just finished this beautiful mural down in the Nulu District of Louisville on the corner of Market and Clay St. Louisville Visual Arts (LVA) coordinated the project for the new implementation of Google Fiber into the city. The project is being sponsored by Google Fiber. 

Liz Richter, photographed by Ryan Noltemeyer for Creative Space

"The mural is all Kentucky wildflowers that grow in this region. Each one was chosen not just for the shapes but with symbolic meanings as well. Woven throughout the mural are the themes of independent business and free thinking. Mint represents hospitality, Goldenrod is the state flower and represents good fortune. It is also a nod to Thomas Edison, who experimented with goldenrod (his historic home in Louisville is only blocks away). The blue at the bottom (bluegrass) represents connectivity and is Google Fiber blue. The largest plant is milkweed, which I chose as a symbol for Nulu. Milkweed is the host plant for the monarch butterfly. All milkweeds are perennials, meaning they survive for more than two years. They can grow in harsh conditions and have far-reaching impact through the scattered seeds. Technically a weed, their beauty is strange and exotic. A few more plants: Black-eyed Susan's represent encouragement/motivation;  the purple coneflower represents strength. The wildflower design was partially inspired by the lyrics to Tom Petty's song, You Belong Among the Wildflowers/You Belong Somewhere You Feel Free. Ironically I was listening to it while painting my proposal the night before he died (I had no idea)! So it's kind of become my tribute to him as well" - Liz Richter

Liz Richter, photographed by Ryan Noltemeyer for Creative Space

Myself and other creatives are very excited about Google Fiber bringing faster and more affordable internet speeds to the city. After hearing about this project for Google Fiber and seeing some images on Liz's Instagram page I knew I wanted to include her in my project. With the vibrant colors of her mural as a backdrop, we did a couple portraits of her and then several "in-action" shots as she put some final touches and lettering on the piece. Below are all the photos in a slideshow, please enjoy and see all of Liz's work here:

For photo nerds, like myself, all images were taken with:



Canon 5D Mark III Review in 2017

I've been through a few different camera systems now. I've started with a Nikon D3100 then moved to a D600, then a Sony A7 II, and several film cameras sprinkled in throughout. After months of hating myself for switching to a mirrorless camera, I decided to switch back to DSLRs and settled on Canon. I loved the skin tones I was seeing from others in the industry who use Canon. Now at the time, Canon had just launched their 5D Mark IV. After looking into it I really couldn't justify the extra $2000 for a camera that was more or less the same as their Mark III. I found someone looking to trade their backup 5D for a Sony A7II and made the switch. 

Greta Morgan, The Springtime Carnivore, shot for my Creative Space Project
Dr. Donovan, President of Bellarmine University. Shot for The Voice-Tribune

I am in no way saying that the 5D Mark IV is the same or not a good camera compared to the 5D Mark III, for me it wasn’t much of an upgrade. Some notable upgrades to the previous model are Dual Pixel Autofocus and 4K, which really only benefits video and when I shoot video I’m not using autofocus. Also, the 4K video feature has a 1.75x crop, which is pretty unacceptable. I am starting to do more video and take on more video projects, but for those, I am renting a C100 MKII or C200 and will eventually purchase one of the two. The 5D Mark IV is a wonderful camera if you want a stills camera with the ability to shoot 4K, but for me, I’d rather have a 5D Mark III as a dedicated stills camera and use a C100 MK2/C200 for videos.

Anyway, now that you know why I bought an “outdated” camera back to the 5D Mark III review. This is one serious tool. My main requirements for a camera in order of importance are:

Subaru WRX STI and perrin photoshoot
  • Shoots RAW
  • 2 Memory Card Slots (I’m strict about backing up stuff nowadays)
  • Ability to Tether into Capture One Pro
  • Solid build that will take a beating
  • Excellent lens choices
  • Full Frame
  • Bonus: Magic Lantern RAW video (only available on Canon)

I love the Canon skin tones as well, but I’ve never been unable to get pleasing skin tones with any camera. With a good color grading workflow, you can do anything, especially if you grade in Capture One Pro. The only complaint I have with Canon is their 50mm lens options. The 1.2 seems too soft from what I've heard and seen and not as accurate focusing. I’ve used the 50 1.4 and it’s fine but not that sharp until f/4. There are some rumors about two new 50’s coming out next year (a 50 1.4L with IS and a new 50 1.2L). So I’m waiting till they update it. Let’s get into some specifics now.

Image Quality

Top Notch. Honesty any camera nowadays will have top notch quality and you won't be able to tell the difference between one camera and another. Except for a Phase One!


Coming from a Sony, this is my most favorite feature. Everything is neatly organized. I spent maybe 10 minutes getting everything setup how I like. Think of Canon as a Mac and Sony as a PC.


The 5D has a wonderful big grip for my large hands. I absolutely hated hated hated the Sony grip. Nikon has a decent grip but the 5D grip just feels right in my hands.


This was shot entirely with a Canon 5D Mark III and Magic Lantern RAW

Now for serious projects, I would prefer to use one of Canon’s cinema cameras but this thing holds it’s own. Especially when Magic Lantern is installed. Magic Lantern gives the camera the ability to capture RAW video that looks pretty close to what you get out of a cinema cam. The workflow for that is the only drawback. You’ll shoot in .MLV which much be converted into Cinema DNG which can be processed through Davinci Resolve (this will give it almost an Arri Alexa like feel!), then you can export to edit and color grade in Adobe Premiere or Final Cut.

Battery Life

Sony eats through about 4-5 batteries for a whole day of shooting. Canon may make it an entire day on one battery, maybe two to be safe. I’ve shot video at a wedding for 6 hours on one battery. It died literally as I finished my last shot!!

Anyway, super solid camera. You can find it for a steal at around $1,500 which is less than half of the price when it first came out. I would highly suggest looking into both the Mark III and Mark IV, and weigh your options. If you want solid video and stills and don't plan on buying a dedicated video camera get the Mark IV. If you solely want a solid stills camera get the Mark III. Just evaluate what you have and what you need/want.

Pick one up here: Canon 5D Mark III or the newer 5D Mark IV

Thanks for reading!


I Shot My First Film Commercial

For the past few months, I've been itching to get into the world of filmmaking and cinematography. Let me first preface this post with the fact that at heart I am a photographer and still have much to learn as a DP/cinematographer. I love a story in an image and the emotion that photography can have on viewers. Anyway, here is a spec shoot I did for Cayton & Crume, a local leather shop here in Louisville. Please enjoy and leave some feedback if you have any in the comments on this blog post at the bottom! Alo, check out the Clayton & Crume shop here:

How to Get Better Dynamic Range from Your Images

If you've followed this blog and read about my workflow, you'd know that I am a huge fan of Phase One's post-production software, "Capture One Pro". A feature that I've ignored exploring for a while now, I've discovered to be one of the most valuable. That's the camera profile curve. There are several different presets to choose from that affect the way Capture One presents the raw image data from the sensor.


The one that I am talking about though is called linear response. It is basically what your camera sensor sees. It will make your image look really flat and dull kinda like a cinema camera's log profile, but this is a good thing!! You'll have to play with your levels and exposure some but you should be able to retain more information in the highlights and shadows than the software default of Auto.

To access this feature it is under the color tab and will be under the "Base Characteristics" header. Check out the video below to see an example of this in action.

*Disclaimner: this post is not affiliated or sponsored by Capture One Pro or Phase One, I just love their products (Phase One/Capture One if you're reading this I'd love to talk!)

Grease and Sweat

Here are some photos from my Subaru shoot the other day. This time the focus was on aftermarket parts and accessories. We installed a new pair of Perrin Hella Horns to the front. All the images were shot on a Canon 5D Mark III with a 35mm 1.4L lens tethered into Capture One Pro 10.  

I hope you enjoy these images. I really love how they turned out. Car photography is quickly becoming one of my favorite things to shoot. Be on the lookout in the coming months for some more!

Perrin Hella Horns
Installing Perrin Hella Horns on a Subaru WRX STI
This one (above) was my favorite image from the shoot

This one (above) was my favorite image from the shoot

Subaru WRX STI with Perrin Hella Horns